CATEGORY

Mix

RANK

Salvage


PRODUCTION DETAILS

Quantity

800

Page Count

96 + cover + end-papers + insert

Number of Colors

CMYK + 1

Binding

Perfect bound
Hard case

Dimensions

6.85 × 9.76 × .59

Paper Stock

Cover and End-papers Sirio 80, Perla, 170gr/m2
Interior Enviro Wove, 140gr/m2
Insert Tracing paper, 100gr/m2

Special Techniques

Offset
Foil stamp
Blind deboss


DESIGN CREDITS

Creative Director

Karen Huang

Designer

Benjamin Koh


TAGS

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LINKS

wearemanic.com
sc-international.com.sg
manor.com.sg

Book for Manor Studio by Manic Design Pte LtdBook for Manor Studio by Manic Design Pte LtdBook for Manor Studio by Manic Design Pte LtdBook for Manor Studio by Manic Design Pte LtdBook for Manor Studio by Manic Design Pte LtdBook for Manor Studio by Manic Design Pte LtdBook for Manor Studio by Manic Design Pte LtdBook for Manor Studio by Manic Design Pte LtdBook for Manor Studio by Manic Design Pte LtdBook for Manor Studio by Manic Design Pte Ltd


CLIENT

Manor Stu­dio is a mul­ti-dis­ci­pli­nary archi­tec­tur­al and spa­tial design firm. In all their works they believe in get­ting their clients to par­tic­i­pate in the design process and the inhab­i­tants of the space to inter­act with their designs. Some of their best works are art instal­la­tions done for the Nation­al Muse­um of Sin­ga­pore.


BRIEF

Manor Stu­dio want­ed to cre­ate a mono­graph show­cas­ing the projects that they have done so far. They want­ed it to be a hand­some but restrained leave-behind for meet­ings with poten­tial clients and part­ners.


APPROACH

We decid­ed on a B5 for­mat to under­line the inti­mate nature of many of their inte­ri­or projects. The grey paper used for the studio’s sta­tionery was used on the hard­cov­er and end­pa­pers, giv­ing a sense of coher­ence to the col­lat­er­al. On the cov­er, a sub­tle blind deboss was applied and the Manor Stu­dio logo­type was foil-stamped in sil­ver. On the con­tent pages, sil­ver ink was used for the grid of dots, one of their brand ele­ments, on intro­duc­to­ry pages to every project.

PRODUCTION LESSONS

No matter how many times you hit the paper, metallic inks will never be very reflective (if at all) on uncoated paper. This will be the last time we use metallic ink on uncoated stock.

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