CATEGORY

Letterpress

RANK


PRODUCTION DETAILS

Quantity

300

Page Count

Number of Colors

2

Binding

Glued

Dimensions

Invitation Pack 6 × 4.4 / #.6
Lenticular Cards 5.9 × 4.3
Posters 16.5 × 21

Paper Stock

GF Smith Colorplan, Mandarin, 270gr/m2
Crane Lettra, Pearl, 300gr/m2
Gmund Cotton, Linen Cream, 110gr/m2

Special Techniques

Die-cut
Split fountain


DESIGN CREDITS

Designer

Daryl Prondoso

Director

Nathan Leong

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PRODUCTION CREDITS

Printmaker

Daryl Prondoso


TAGS

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LINKS

the-distillery.com.au
starlight.org

Invitation for The Starlight Children’s Foundation by The DistilleryInvitation for The Starlight Children’s Foundation by The DistilleryInvitation for The Starlight Children’s Foundation by The DistilleryInvitation for The Starlight Children’s Foundation by The DistilleryInvitation for The Starlight Children’s Foundation by The DistilleryInvitation for The Starlight Children’s Foundation by The Distillery


CLIENT

The Starlight Children’s Foun­da­tion pro­vides pro­grams inte­gral to the total care of seri­ous­ly ill and hos­pi­tal­ized chil­dren, and their fam­i­lies, through­out Australia. 


BRIEF

To sup­port Starlight, The Dis­tillery held Sub­ur­ban Legends—a let­ter­press poster exhi­bi­tion. The sto­ries of sub­ur­ban Syd­ney were cel­e­brat­ed with 13 Syd­ney artist-designed posters. To draw atten­tion to the exhi­bi­tion and cause, The Dis­tillery set out to engage Syd­ney’s cre­ative com­mu­ni­ty with a unique invi­ta­tion pack.


APPROACH

One of the strengths of print is the abil­i­ty to hide and reveal. Lentic­u­lar lens con­sid­ers design where view­ing from dif­fer­ent angles, mag­ni­fy­ing dif­fer­ent images. Well known, quin­tes­sen­tial scenes of Sub­ur­ban Syd­ney were pho­tographed includ­ing The Har­bour Bridge, Cabra­mat­ta (noo­dles), and Maroubra (beach). In print, the invi­ta­tion recip­i­ent was invit­ed to redis­cov­er these Syd­ney scenes with move­ment of the lentic­u­lar lens. Akin to re-explor­ing and recon­sid­er­ing one’s own neighborhood.

PRODUCTION LESSONS

The principal challenge was the mathematics required to convert and split multiple frames of photography into three separate cohesively animated lenticular scenes. This involved the trial and error exploration of limitations of movement, width of resolution, and movement speed. A secondary challenge was the production of the tight two-color registration and die-cut of multiple letterpress pieces.

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