CATEGORY

Mix

RANK

Judges Pick

PRODUCTION DETAILS

Quantity

2,000

Page Count

100 + folder

Paper Stock

Various Mohawk papers including Superfine, Options Navajo, Loop, Strathmore, VIA, and Carnival

Number of Colors

CMYK + various

Dimensions

9 × 14.5

Binding

Special Techniques

Letterpress
Silkscreen
Offset
Flocking
Emboss
Foil stamp
Laser-cut
Die-cut
Collating


ADDL. DESIGN CREDITS

Creative Director

Rene Clement


ADDL. PRODUCTION CREDITS

Rich Pauptit, Derek Emerson


TAGS

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LINKS

Paprika
Flash Reproductions
Wayward Arts Magazine

Magazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts MagazineMagazine by Paprika for Wayward Arts Magazine


CLIENT

Way­ward Arts is a month­ly mag­a­zine curat­ed by a dif­fer­ent award win­ning design stu­dio each issue, work­ing with the finest print crafts­men at Flash Repro­duc­tions to pro­duce the mag­a­zine of their col­lec­tive dreams.


BRIEF

Each issue is devel­oped by a dif­fer­ent award-win­ning Cana­di­an design stu­dio who get to work with the finest print crafts­men and the finest paper to pro­duce the mag­a­zine of their dreams.


APPROACH

Until this issue, there had nev­er been a project which employed every sin­gle Flash offer­ing on such a grand scale. This required unprece­dent­ed plan­ning and pre­pro­duc­tion for weeks. About 20 dock­ets were writ­ten, cov­er­ing every nook and cran­ny of the project. The post­pro­duc­tion stage required hun­dreds of com­bined hours of collating. 

PRODUCTION LESSONS

The phrase “haste makes waste” did not apply in this case. Thanks to the collaboration of the team before, during, and after production—this job went off without a hitch. Boxes of business cards were brought home where they were collated before insertion. 

Judge’s Com­ments
A dis­arm­ing­ly sim­ple premise exe­cut­ed in the most com­plex man­ner pos­si­ble. Harken­ing back to the print­er’s busi­ness card sam­ple books of the mid-20th cen­tu­ry, this piece upends the con­cept with a con­tem­po­rary twist. Each of he 100 busi­ness cards with­in is well designed, laugh out loud fun­ny, and clever in the way it uti­lizes a pro­duc­tion tech­nique to com­plete a visu­al gag. A die-cut mus­tache for Der Fuhrer, a per­fo­rat­ed pull tab which reveals the Vir­gin Queen’s con­tact infor­ma­tion below. The care lav­ished on each card was con­sid­er­able both in con­cept and exe­cu­tion. Each tech­nique utilized—be it let­ter­press, off­set, or foil—showed con­sid­er­able mas­tery. I had great fun flip­ping through to see what sur­prise was next. Most impor­tant­ly, I got the feel­ing that as much as I enjoyed view­ing the piece, the cre­ators enjoyed mak­ing it more. — John Earles

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