CATEGORY

Offset

RANK


PRODUCTION DETAILS

Quantity

7,000

Page Count

208 + cover

Paper Stock

Cover: Papyrus Luxo Art, 300g/m2
Interior: Papyrus Luxo Art, 150g/m2

Number of Colors

CMYK + 1
Edges 1

Dimensions

6.5 × 9 × .6

Binding

Perfect bound

Special Techniques

Edging
Soft lamination


ADDL. DESIGN CREDITS

Creative Director and Graphic Designer

Nicole Bertani

Graphic Designer

Lorenzo Piccinini


ADDL. PRODUCTION CREDITS


TAGS

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LINKS

Magentanicole
Look Lateral

Magazine by Magentanicole for Look LateralMagazine by Magentanicole for Look LateralMagazine by Magentanicole for Look LateralMagazine by Magentanicole for Look LateralMagazine by Magentanicole for Look LateralMagazine by Magentanicole for Look Lateral


CLIENT

Look Lat­er­al is a web plat­form con­ceived to increase the vis­i­bil­i­ty of art cir­cuits, a new meet­ing point between an increas­ingly diver­si­fied demand and a high-qual­i­ty sup­ply. Look Lat­eral wants to increase the art mar­ket’s oppor­tu­ni­ties by offer­ing a com­plete, exclu­sive, reli­able point of reference.


BRIEF

To cre­ate a mag­a­zine about art to inform enthu­si­asts and spe­cial­ists and to involve those who are sim­ply curi­ous. They asked me for a prod­uct that could be col­lectible issue after issue, some­thing unique, and eas­i­ly rec­og­niz­able in the library.


APPROACH

I tried to cre­ate a col­lectible mag­a­zine. The graph­ic of the cov­er is the same in each issue but the spe­cial col­or inside, togeth­er with the col­or on the edges, changes with each num­ber. More­over, the sprayed edges cre­ate small imper­fec­tions and col­or incon­sis­ten­cies that make every page a unique one. The cov­er uses a soft fin­ish­ing, that makes it feel spe­cial. The edi­to­r­i­al struc­ture is sim­ply a 24-hour clock sug­gest­ing things to do dur­ing a day—that’s why I visu­al­ly split the con­tent into char­ac­ters (use of bold typog­ra­phy and the issue’s spe­cial col­or), places (use of black and map), and sec­tions (use of a 4,000dpi gradient).

PRODUCTION LESSONS

Before this magazine I had never used edging. I experienced some difficulties related to the choice of keeping bleeding images and/or because of the coated paper. The two-step solution was to choose a dark color for the edges and to place a paper sheet between each copy after we painted the edges so that the color could also dry over a long time without dirtying the other copies.

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