CATEGORY

Mix

RANK

Best of Category + Judge's Pick

PRODUCTION DETAILS

Quantity

2,000

Page Count

32 + gatefold cover + dust jacket/poster

Paper Stock

Eames Architecture, 50lb text
Classic Crest, Eggshell, 80lb cover
Classic Crest, Stipple, 80lb text

Number of Colors

CMYK + 2 + glitter

Dimensions

7.5 × 11

Binding

Saddle-stitch

Special Techniques

Silkscreen
Offset
Laser-cut


ADDL. DESIGN CREDITS


ADDL. PRODUCTION CREDITS

Rich Pauptit, Derek Emerson


TAGS

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LINKS

Hambly & Woolley
Flash Reproductions
Wayward Arts Magazine

Magazine by Hambly & Woolley for Wayward Arts MagazineMagazine by Hambly & Woolley for Wayward Arts MagazineMagazine by Hambly & Woolley for Wayward Arts MagazineMagazine by Hambly & Woolley for Wayward Arts MagazineMagazine by Hambly & Woolley for Wayward Arts MagazineMagazine by Hambly & Woolley for Wayward Arts MagazineMagazine by Hambly & Woolley for Wayward Arts MagazineMagazine by Hambly & Woolley for Wayward Arts MagazineMagazine by Hambly & Woolley for Wayward Arts Magazine


CLIENT

Way­ward Arts is a month­ly mag­a­zine curat­ed by a dif­fer­ent award win­ning design stu­dio each issue, work­ing with the finest print crafts­men at Flash Repro­duc­tions to pro­duce the mag­a­zine of their col­lec­tive dreams.


BRIEF

Each issue is devel­oped by a dif­fer­ent award-win­ning Cana­di­an design stu­dio who get to work with the finest print crafts­men and the finest paper to pro­duce the mag­a­zine of their dreams.


APPROACH

The main chal­lenge with the Bees issue was print­ing and fold­ing tex­tured paper with­out any wear and tear. The beau­ti­ful design spoke for itself. 

PRODUCTION LESSONS

What we thought could be folded automatically had to be folded by hand. This required extensive—but ultimately rewarding—work in the finishing process.

Judge’s Com­ments
We’ve seen any num­ber of cliché-rid­den designs that involve bees. This is not one of them. Yes, there is use of the req­ui­site hexa­gon and flo­res­cent yel­low plays a key role, yet page after page proves to be much like bees them­selves: hard-work­ing, and cre­at­ing delight­ful­ly sweet con­tent. Pho­tos, art, text, col­or, typog­ra­phy, inks, paper, print­ing, come togeth­er in a har­mo­nious blend not unlike the fla­vors found by com­bin­ing clover and Black Locust in a lip-smack­ing Cana­di­an hon­ey. Details include a cov­er-wrap that dou­bles as a poster, arti­cles on archi­tec­ture, Napoleon, and cur­rent abo­rig­i­nal api­ary tech­niques, and a hive full of bee-relat­ed images. This piece had every juror buzzing. — Marc Eng­lishThe last time I had a run in with a bee, my heart stopped and had to be restart­ed by para­medics. This time, almost! A mar­velous design romp through styles and mate­ri­als, these bees were mag­net­ic and had all the jurors return­ing to the hive over and over, each time with new dis­cov­er­ies. — Stephen DoyleEach spread is rich­ly pat­terned and diverse, giv­ing a vibrant and excit­ing feel. — John Ear­lesBees have been on my mind late­ly as I mow acres and acres of grass and clover on the trac­tor, hop­ing they buzz away before the blades…They are amaz­ing crea­tures and giv­en their due in this pub­li­ca­tion, help­ing to raise our aware­ness as their pop­u­la­tions decline due more like­ly to pes­ti­cides and less to my trac­tor. — Jim Sherraden

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