CATEGORY

Offset

RANK


PRODUCTION DETAILS

Quantity

1,250

Page Count

168 + cover

Paper Stock

Mohawk, Superfine, Smooth, Ultra White, 120lb cover and 70lb text

Number of Colors

CMYK + 2

Dimensions

7.25 × 9.5 × .5

Binding

Perfect Bound

Special Techniques

Edging


ADDL. DESIGN CREDITS

Creative Director

Dora Drimalas

Design Director

Caleb Kozlowski

Designer

Mike Andersen

Project Manager

Carly Fuller

Editors

Bruno Giussani, Emily McManus


ADDL. PRODUCTION CREDITS


TAGS

, , , , , ,


LINKS

Hybrid Design
MET Fine Printers
TED

Book by Hybrid Design for TEDBook by Hybrid Design for TEDBook by Hybrid Design for TEDBook by Hybrid Design for TEDBook by Hybrid Design for TEDBook by Hybrid Design for TEDBook by Hybrid Design for TED


CLIENT

TED is a non­prof­it devot­ed to spread­ing ideas, usu­al­ly in the form of short, pow­er­ful talks (18 min­utes or less). TED began in 1984 as a con­fer­ence where Tech­nol­o­gy, Enter­tain­ment, and Design con­verged, and today cov­ers almost all topics—from sci­ence to busi­ness to glob­al issues—in more than 100 languages.


BRIEF

The theme for TED­G­lob­al 2013 was Think Again. Dis­ci­plines merge and cross-pol­li­nate. Tech­nol­o­gy intrudes into biol­o­gy and soci­ety. Pow­er and author­i­ty are redis­trib­uted. Hopes and anx­i­eties col­lide. A new world is emerg­ing at the inter­sec­tion of once-sep­a­rat­ed real­i­ties, and every­thing we know just may be wrong. 


APPROACH

Hybrid Design took on the con­cept of Think Again, cre­at­ing a com­pre­hen­sive iden­ti­ty for the TED­G­lob­al 2013 con­fer­ence. The goal was to encour­age par­tic­i­pants to approach old prob­lems from new per­spec­tives, and to look at every­thing from a new angle. This idea was explored by flip­ping imagery and typog­ra­phy to dis­cov­er new con­nec­tions. Through­out the book and con­fer­ence a neon yel­low acts as an agent of dif­fer­en­ti­a­tion, cham­pi­oning alter­nate per­spec­tives, and those who present them. Most dra­mat­i­cal­ly the edge paint­ing high­lights an often uncon­sid­ered plane of the book, demand­ing recog­ni­tion of some­thing often unnoticed.

PRODUCTION LESSONS

The most difficult challenges were getting the two spot colors correct. We wanted our neon yellow to feel as close to a highlighter as possible and it took several rounds of experimentation before we got to that point. This was further complicated when we had to match the edge painting to our custom mixed spot color on the inside as it was an acrylic based paint rather than an ink. 

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