Of course, the companies want their consumers to recognize the brands. Had Pepsi or Coke created something so unique that it alienated their core customers, the products would not reach the intended bellies. In order to follow the path from shelf to hand to mouth to stomach, each beverage owns its own set of visual attributes that compare favorably with the rest of product line. But would you want to drink them on looks alone?
Like Pepsi’s other brand vehicles, EDGE participates in the product unification rather well. It looks comfortable sitting next to Pepsi, Vanilla Pepsi, Lemon Pepsi, Diet Pepsi, and Pepsi ONE. Yet it lacks both visual ambition and calories. Observing Pepsi ONE and Pepsi, I had the impression that the marketing/design department used an El Camino approach to designing the Pepsi EDGE packaging, taking something from ONE and another something from regular, and finally fusing them together. In the end, they added an all caps EDGE near their flagship mark, with what appears to be some semi-serif oblique version of the typeface Serpentine. The new packaging contains a shiny hint of silver that lends both the cans and bottles significance and glow.
On the competing front, Coke’s C2 plays well with its brothers and sisters too. Over the past two years, Coca-Cola introduced a total of four unique product lines. Now the trademark Coca-Cola logotype shares the stage with an assertive C2 set in an extended sans serif face. I believe that C2 will be the half-cal soft drink of choice for a collection of architects and graphic designers from coast to coast. But the new reduced calorie consumable does fall from grace on one account, a lack of visual contrast. I didn’t see enough visual pop from the swooshing and exploding backdrop of red, black, and gray. Adding to the visual mire, Coke chose to replace their token white typography on a red field with black over silver shadow on a red field. From a reading distance of seven to eight feet, I could barely notice the C2 on the upper quarter of the can (even though it was offset by a silver field) because it just looked like some unusual glare.
Fighting off this visual riot, C2 spoke with an angst-ridden voice, “Don’t ignore me,” that I attributed to the gothic color combination. Even though Coke made subtle design changes in launching this line, the striking black on red identity possessed a more edgy character than Pepsi’s EDGE, which felt sporty and fraternizing in comparison. C2 owns the rock and roll anthems blasted by the likes of AC/DC or Dokken; Pepsi EDGE bounces with the Spice Girls or Backstreet Boys playing in the background.
Soft drinks are just one phase of this consumable revolution. Keep your eyes out for “new” packaging of potato chips, alcoholic beverages, candy bars, or frozen meals on the shelves. Regardless of the visual standards these products will adopt, taste matters, and I don’t mean which typeface they use or how colors are combined. After trying C2 and Edge, trust me when I say you’d get the same results by letting two to three ice cubes melt in the regular versions of each soft drink and then adding a packet of NutraSweet. I can only hope these foodstuffs will nourish our economy more than my eyes and tongue.
Jason A Tselentis completed his Master’s thesis at the University of Washington with campaigns that challenged sedentary lifestyles and diet choices.
Yup, I didn't even realize "C2" was a new product from Coke until I had seen this new can on a second occasion... and I thought "my eyes are playing tricks on me -again!" But then upon a second-look, I realized "Hey, a new Coke..." and thought maybe they wanted it to be low-key.
I really don't get this new direction, as far as products go. I drink Coke, Dr. Pepper, or Barq's because the taste is richer and stronger, but I drink soft drinks in the first place because of the sugar and caffeine. These all-nighters don't happen by themselves.
Sorry for the tangent. Getting back on track, I really got the impression that Coke was sneaking this onto the market because the only place I've seen this new product is on the shelf or in the vending machine. I really can't say that I've seen a single commercial or magazine ad yet. That, and the new "subtle" design (sorry Jason, it doesn't yell at me like it does you) tells me it's trying to sneak up on me and then suck me in as a consumer when I'm not looking.
On Jul.26.2004 at 04:58 PM