I’ll be the first one to admit this: I don’t care for Design is Kinky. And it’s nothing against them personally or their purpose or their intentions. I just don’t. But this is not so much the point here. In a critique by Rick Poynor for Eye magazine he takes a look at DiK and their doings. Their claim to 11,000 visitors a day, the mugshots, the interviews, the profiles, all the good stuff. In great Rick Poynor style, he goes deeper than the pretty exterior to give us some interesting insight.
Johnstone [of Dik] presents this material to the reader more or less as he receives it, with minimal editing, leaving frequent misspellings and wonky grammar uncorrected.The site would gain in authority, impact and precision of communication if he paid the same attention to the craft of text production and presentation that he naturally pays, as a designer, to the craft of design.
I think this is very important. Typos and bad grammar say a lot about the people behind a web site. Mistakes like that deduct credibility from such ventures.
At this point in its life, DiK is perhaps poised between two kinds of activity. The friendly, non-critical tone and regular features such as a gallery of personal mugshots sent in by site visitors suggest something sociable, inward-looking, cliquey and not especially serious. But the site’s intention to act as a forum and participate in a global design discussion also implies wider responsibilities and, if it’s to be convincing, a commitment to higher standards of thinking and presentation.
This is one of my main concerns with DiK, they seem to be this great “forward-thinking” design forum, but there are times when they look more like a collegial Designer-Fraternity house.
If the aim is to sharpen perceptions of young Australian design and encourage real debate — and not simply to provide yet another occasion for self-referential �celebration’ — then a more critically aware approach is essential.
It just sums it all up, doesn’t it?
I feel the same way (though I am endlessly careless with my spelling.) It is taken a lot more seriously in the print world where your product is set in stone once the press run starts and correcting mistakes costs real money (yes, correcting mistakes on the Web costs money, too, but less so.)
There are those who say if your ideas are powerful enough, who cares about little grammar details, but people tend to trip over little things like that. It makes you look dumb.
On Jan.16.2003 at 10:46 AM