As designers we often strive to give back. This might be by providing pro-bono work for a company or group in need of kick-ass design, or by looking within our own industry and helping the emerging generation climb a rung or two of their success ladder. The folks behind Design by Thesis chose the latter, by lending a financial hand to students developing their thesis.
We developed the grant based on the experience of each Thesis studio member in creating our own thesis work in graduate school, as well as those of our interns that are usually finishing up their own undergraduate thesis. It can be an expensive proposition; usually entirely self-funded, and it’s a small way for us to help out. We like to think of the grant program making finances less of a barrier to brilliance.
We’re also very interested in what young design students are thinking about, and what they are motivated to work on and produce. As evidenced by our studio name, the process of concepting and developing a thesis, or a solution to a given problem, is at the heart of what we do. It’s natural for us to support that process as it’s introduced to young designers.
With a very open competition in the horizon, the poster needed to be unrestrictive and without providing a set guide as to what to submit—completely open to the imagination.
The inspiration behind the poster is that the competition is wide open; we place no restrictions on content or final form in any way. Hence the blank books. The stickies contain the information on the poster-and represent the research that is inherent in developing a thesis idea. We contacted a few dozen schools to gauge program or class interest and then sent the posters to key faculty to be displayed in hallways or classrooms. The letterpressed certificate is a more elegant translation of the poster, and was sent to the winners to commemorate their award.
We tried to keep our production costs down and did a digital print run on the posters, then delivered them via snail mail with an accompanying cover letter. I printed the certificates in my basement. Naturally, that helps with cost and control.
A little vendor, a little DIY, a lot of thought and a lot of vision of the future for that next generation working hard to make it in the grown-up world.
Editor of FPO and co-founder of UnderConsideration LLC.
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FPO (For Print Only), is a division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects.
FPO uses Fonts.com to render Siseriff and Avenir Next.
FPO is run with Six Apart’s MovableType
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UnderConsideration is a graphic design firm generating its own projects, initiatives, and content while taking on limited client work. Run by Bryony Gomez-Palacio and Armin Vit in Bloomington, IN. More…
blogs we publish
Brand New / Displaying opinions and focusing solely on corporate and brand identity work.
Art of the Menu / Cataloguing the underrated creativity of menus from around the world.
Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.
products we sell
Flaunt: Designing effective, compelling and memorable portfolios of creative work.
Brand New Conference videos / Individual, downloadable videos of every presentation since 2010.
Prints / A variety of posters, the majority from our AIforGA series.
Other / Various one-off products.
events we organize
Brand New Conference / A two-day event on corporate and brand identity with some of today's most active and influential practitioners from around the world.
Brand Nieuwe Conference / Ditto but in Amsterdam.
Austin Initiative for Graphic Awesomeness / A speaker series in Austin, TX, featuring some of the graphic design industry's most awesome people.
also
Favorite Things we've Made / In our capacity as graphic designers.
Projects we've Concluded / Long- and short-lived efforts.
UCllc News / Updates on what's going at the corporate level of UnderConsideration.
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