BY Armin
Three months ago
we reported on the rebranding of AkzoNobel, noting that Saffron had designed the logo but not mentioning that
Pentagram (London) had later implemented the identity, I assume I wasn’t aware of this at the time, which brings us to the matter at hand… Martijn Rijven, an Amsterdam-based illustrator and designer, was responsible for drawing Bruce (as the pointing man is referred to in the inner circle) and
has written an extensive post about the process, with a great video at the bottom, showing the evolution of the drawing and mourning the truncated version of his drawing that was the final logo — or as Rijven describes it, “they appear to have sank him into the ground and left him begging an invisible passer by to take his aged skinny hand to drag him out.”
DATE: Aug.13.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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BY Armin
Given that I visit more web sites than I should, I rarely spend more than a minute on any of my internet stops — and it’s usually those with pretty pictures that manage to keep me around the longest. Avid Brand New commenter Jerry Kuyper pointed me today to
the blog of Claude Singer, a strategist and non-designer for firms like Siegel + Gale and Lippincot… After many (many) minutes I finally stopped, not because I had to, but because I had gone through the entire archive. In other words, I recommend it, and suggest you consider adding it to your branding reads for a fresh take on the subject.
DATE: Jul.29.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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BY Armin
DATE: Jul.28.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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BY Armin
With today’s release of its 2.0 software, iPhone users are about to be clobbered by a new generation of bubbly and glossy graphics for the hundreds of applications by third party developers that are now immediately available for download and ready to, um, be stroked by your fingers. Among those many applications is
a news reader for The New York Times with some lovely iconography work by Felix Sockwell. True, this is not specifically logo-related, but in terms of brand extension, this is a great demonstration of a traditional organization adapting rather swiftly to the, literally, latest technology. And iconography shares a lot of the reductive qualities necessary to tell the biggest story with the smallest amount of visual elements. The icons look really great on the iPhone and Felix’s process (link above) is pretty cool to see.
DATE: Jul.11.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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BY Armin
Will Ayres and Scott Lerman, veterans of the branding world, publish
Pulp Branding, a monthly issue executed in a charming illustration style. The latest, “Snipers,” explores the vein of our existence: Critiquing logos.
DATE: Jun.18.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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BY Armin
DATE: Jun.13.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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BY Armin
With title apologies to David Sedaris.
DATE: Jun.10.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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BY Armin
DATE: May.26.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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BY Armin
DATE: May.23.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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BY Armin
DATE: May.21.2008POSTED BY: ArminCATEGORY: In Brief COMMENTS:
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