Quite a bevy of things in this edition of Quipsologies.
Calling all teenage boys!
The Jack Kirby Museum is online … well, kind of. [Via Boing Boing]
First there was the Heavy Metal Umlaut; now joined by the Modish Macron.
Dorkbot-NYC’s next event is Wednesday, September 7 at Postmasters Gallery in New York City. The self-generating tornado looks promising.
UK paper the Guardian has unveiled a redesign which features Paul Barnes’ font, Berliner. Further details are here. [Via Boing Boing]
Street art from around the world gathering in one place:Streetsy [Via Gothamist]
Time for the style update: New iPod nano.
Beautiful photography, unsusual circumstances, a good chuckle, and a few surprises by Pierre Javelle and Akiko Ida. [Via design*sponge]
Is there a difference between Graphic Design and Grafix Dezign? You bet there is, Rusty explains.
“Safe: Design Takes On Risk” an upcoming exhibition, curated by Paola Antonelli, at the MoMA, asks the thorny question “Could more have been done?”. And those involved —
Rob Rogers, Gregg Pasquarelli, Sulan Kolatan, Stefan Sagmeister, Michael Rakowitz, Masamichi Udagawa and Tobias Wong�— answer other questions.
V�tor Quelhas of Porto, Portugal points us to his research project about dynamic typography: dinTypo.
Two items noticed on I.D. magazine’s Sept./Oct. issue on newsstands now:
1. The ad for AIGA’s National Conference in Boston reads, “AIGA offers a multi-dimensional and provocative conference to explore ‘Design’ with a capital D….” It is unfortunate that the capital D — or the BO for STON — didn’t make it through prepress.
2. Steff Geissbuhler deems Speak Up author Gunnar Swanson intelligent. The rest of us, sneerers.
In regards to the comment made by
Steff Geissbuhler about us sneerers:
We ain't so bad compared to the folks
at Typophile -- they really get upset
at bad kerning and bad typography!
On Sep.12.2005 at 09:51 AM