CATEGORY

Offset

RANK


PRODUCTION DETAILS

Quantity

1,000

Page Count

42 + cover

Paper Stock

Mowhawk Superfine, Ultrawhite Eggshell, 100lb cover and 80lb text

Number of Colors

4/4
CMYK

Dimensions

Finished 7 × 8

Binding

Perfect bound

Special Techniques


ADDL. DESIGN CREDITS

Creative Director and Copywriter

Aimee Heimbinder

Art Director and Designer

Carissa Hempton

Copywriter

Cynthia Woods Mitchell


ADDL. PRODUCTION CREDITS


TAGS

, , , , ,


LINKS

Consequence of Innovation
Disc Pro Printing & Graphics
Cynthia Woods Mitchell Center for the Arts at University of Houston

Catalog by Consequence of Innovation for CounterCurrentCatalog by Consequence of Innovation for CounterCurrentCatalog by Consequence of Innovation for CounterCurrentCatalog by Consequence of Innovation for CounterCurrentCatalog by Consequence of Innovation for CounterCurrentCatalog by Consequence of Innovation for CounterCurrentCatalog by Consequence of Innovation for CounterCurrentCatalog by Consequence of Innovation for CounterCurrentCatalog by Consequence of Innovation for CounterCurrent


CLIENT

Cyn­thia Woods Mitchell Cen­ter for the Arts at Uni­ver­si­ty of Hous­ton is ded­i­cat­ed to ground-break­ing, trans­for­ma­tion­al col­lab­o­ra­tions across the per­form­ing, visu­al, and lit­er­ary arts—it com­mis­sions and pro­duces new works, presents pub­lic per­for­mances and exhi­bi­tions, offers cur­ricu­lum, fel­low­ships, and residencies.


BRIEF

The Cyn­thia Woods Mitchell Cen­ter recent­ly trans­formed all of their pub­lic pro­gram­ming into a five-day fes­ti­val, called Coun­ter­Cur­rent. They need­ed a book for the inau­gur­al art fes­ti­val that felt sub­stan­tial and would help posi­tion the brand as edgy and exper­i­men­tal, yet did not stray too far away from their ties to the Uni­ver­si­ty’s brand.


APPROACH

We looked at the pur­pose of the cat­a­log as two-fold: to build excite­ment about the fes­ti­val and to increase atten­dance. We set out to cre­ate a bold, beau­ti­ful piece that peo­ple would want to keep on their cof­fee table or open it if they saw it around town. That said, we also craved func­tion. The piece was designed small enough to be tossed in a bag and tot­ed around the fes­ti­val for ref­er­ence. Being a non-prof­it, bud­get was a con­cern (as was time­line) so we opt­ed to use a pre­mi­um paper, but to skip spe­cial tech­niques. The cov­er art ele­vat­ed the piece with bold bright hues and a sense of tex­ture with­out the extra cost.

PRODUCTION LESSONS

During the binding check, it was discovered that the book’s back cover was 1/16 inch shorter than the front cover. Our printer mentioned that this is somewhat common in books with a back cover gate fold or pocket. We had to forgo the adjustment they offered due to a much quicker turnaround than expected. We learned that accounting for adequate production time is important when it comes to the small details on a book project, particularly with a nontraditional cover.

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