CATEGORY

Offset

RANK


PRODUCTION DETAILS

Quantity

650

Page Count

214 + cover

Paper Stock

Back Cover: RJ Paper, Munken Polar, 300gr/m2
Interior: RJ Paper, Munken Polar, 150gr/m2

Number of Colors

CMYK

Dimensions

7.8 × 10.25 × .75

Binding

Screw-bound

Special Techniques


ADDL. DESIGN CREDITS

Creative Director and Designer

Winnie Wu


ADDL. PRODUCTION CREDITS


TAGS

, , , , ,


LINKS

studioKALEIDO
Allegro Print
Singapore Tyler Print Institute (STPI)

Book by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print InstituteBook by studioKALEIDO for Singapore Tyler Print Institute


CLIENT

Sin­ga­pore Tyler Print Insti­tute is a cat­a­lyst and advo­cate for new ideas and dia­logues for con­tem­po­rary art in print, and paper. It col­lab­o­rates with emerg­ing and estab­lished artists from all around the world to cre­ate art­works with its excep­tion­al print- and paper-mak­ing facil­i­ties and expertise. 


BRIEF

To design the cat­a­log for Haegue Yang’s exhi­bi­tion con­tain­ing new works uti­liz­ing the col­ors and tex­tures of spices and veg­eta­bles with print works pro­duced in col­lab­o­ra­tion with STPI’s work­shop, while draw­ing atten­tion to the pow­er of spices and every­day food from its domes­tic func­tion to its impact on civilizations.


APPROACH

Bro­ken up into six series/chapters, we cre­at­ed a cat­a­log that echoed the hodge­podge of mate­ri­als and food items, fram­ing the diver­si­ty of work through paper stacks of dif­fer­ent sizes, a solu­tion born out of the need for vari­a­tion with­out going over­board with the graph­ics or lay­out itself. Viewed from the front, these dif­fer­ing dimen­sions reveal a cov­er that is a har­mo­nious col­lec­tion of all the dif­fer­ent series gath­ered togeth­er, and the screw-bind­ing rein­forces the raw look of the work.

PRODUCTION LESSONS

There were few screws available in varying widths to choose from, which would affect the binding of the book as it has to be snug. We managed to solve the issue by using a thicker card stock for the accordion folds on the back cover.

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