ABOUT      CONTACT      RSS

2009

2017

ADV @ UNDERCONSIDERATION      Peek here for details

---

BROWSE


---

Client

Columbia University


Quantity Produced

1,000


Production Cost

$5,000


Production Time

2 weeks

Dimensions (Width × Height × Depth)

8.5 in × 5.5 in.


Page Count

104


Paper Stock

Via Vellum, warm white, 70 lb. text by Mohawk


Number of Colors

7 spot colors with 2 sections printed 4-color process

Varnishes


Binding

Nested signatures in a fold around cover


Typography

 

Designed by the MFA students Columbia University School of Arts Visual Arts Program students and printed by The Uses of Literature — a small independent press and publisher run by Duncan Hamilton in Brooklyn, New York — this catalogue is a welcome change from the glossy and smiling-kids catalogues that most schools, even for their creative MFA programs, put out. In the description of the project, Duncan continually refers to a process called “stencil printing” and since I didn’t see anything that actually looked stenciled I thought I would ask:

I use the term “stencil printing” to describe the process of printing using Risograph duplicators but perhaps a more accurate term would be “mimeograph print.” The Risograph printer uses a thermal process to burn a very fine quality stencil which is then wrapped around an ink drum. The drum is rotated as paper is passed through the machine and ink is pushed through the stencil onto the paper. The paper travels through the Riso in a relatively straight line (rather than the torturous route that paper is forced to travel through a photocopier) which makes it possible to print unusually heavy and light paper stocks.

Mimeograph machines have been around for about 130 years (I had a hand cranked model when I was a teenager in the UK) but the production of the digital mimeograph or duplicator is a relatively recent development.

I tend to use the term “stencil print” rather than mimeograph or duplicator because essentially the process is based around the production of a stencil (even though of a very high quality). “Duplicator” sounds too mechanical and “mimeograph” too old fashioned.

Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue --- Columbia University Visual Arts MFA catalogue

---

Recent Posts


Previous


Next


Columbia University Visual Arts MFA Catalogue

---

Production Method

---

Design

Designed by students from the Visual Arts MFA at Columbia University

---

Printing

Stencil printing: The Use of Literacy
Offset printing: G & P printing, NYC

This post was published in the original layout of FPO so all images are smaller. Project descriptions as well as production lessons are quoted in the main content area.

Post Author

Armin

Author Picture

Armin Vit

Editor of FPO and co-founder of UnderConsideration LLC.

More: Online / On Twitter

---

Date Published

July 21, 2009

---

Filed Under

Books

---

Tagged with


---

Share to Facebook Share to Twitter Share to Google+ Add This


---

About

FPO (For Print Only), is a division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects.

FPO uses Fonts.com to render Siseriff and Avenir Next.

FPO is run with Six Apart’s MovableType

Syndicate / RSS Feed

All comments, ideas and thoughts on FPO are property of their authors; reproduction without the author’s or FPO’s permission is strictly prohibited

Contact us by e-mail

Twitter @ucllc



Sign-up for Mailing List

Mailing list managed by MailChimp

Thanks to our advertisers

About UnderConsideration

UnderConsideration is a graphic design firm generating its own projects, initiatives, and content while taking on limited client work. Run by Bryony Gomez-Palacio and Armin Vit in Bloomington, IN. More…


blogs we publish

Brand New / Displaying opinions and focusing solely on corporate and brand identity work.

Art of the Menu / Cataloguing the underrated creativity of menus from around the world.

Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.

products we sell

Flaunt: Designing effective, compelling and memorable portfolios of creative work.

Brand New Conference videos / Individual, downloadable videos of every presentation since 2010.

Prints / A variety of posters, the majority from our AIforGA series.

Other / Various one-off products.

events we organize

Brand New Conference / A two-day event on corporate and brand identity with some of today's most active and influential practitioners from around the world.

Brand Nieuwe Conference / Ditto but in Amsterdam.

Austin Initiative for Graphic Awesomeness / A speaker series in Austin, TX, featuring some of the graphic design industry's most awesome people.

also

Favorite Things we've Made / In our capacity as graphic designers.

Projects we've Concluded / Long- and short-lived efforts.

UCllc News / Updates on what's going at the corporate level of UnderConsideration.


---
The End